Macbeth (Lyric Repertory Company)
"Coming in at honorable mention in a short, pungent scene, the two murderers hired by Macbeth, Jennifer Vosters and Morgen Kerian, captured a dark, palpably decadent humor I'd never seen before. Their shuffling and their heavy-lidded, side-long peering insinuates lifetimes of grasping fumbles. They are Macbeth's Rosencrantz and Guildenstern and deserve a Tom Stoppard treatment of their own."
-Joel Applegate, Front Row Reviewers Utah
Richard III (Voices Found Repertory)
"This Richard, played by Jennifer Vosters, is unlike most of the Richards I've seen in my life, and it has little to do with the fact that Vosters is a woman playing a man. [...] Heading the joyful experience is Vosters, [who] gives us a withered left arm, perpetually cradled in her stomach and a left foot of such blemish that she walks with both a pronounced limp and a dragging of the foot. But more than her physical interpretation of Richard is the way she plays this disingenuous villain. She mixes her climb to the top with brute force and charismatic double-dealing. The scene of her seduction of Anne, who will become Richard's wife, is rife with both sexual tension and danger. [...] Vosters delivers a king who is both duplicitous and yet troubled by his lack of a conscience. With a roll of the eyes or a sideways glance at a foe she takes advantage of the space with small moments. It's a delightful performance."
-Dave Begel, OnMilwaukee
"Jennifer Vosters is an attractive young woman who holds a slight contortion in her left limbs in the role of the sinister Richard III. There's a dizzyingly dark charisma in her malice. [...] Her handling of the role is a pleasant contrast to the traditional interpretations of the character. [...] Vosters' appearance here is a refreshing portrayal of the villain as a perfectly capable young woman of remarkably seductive beauty who openly embraces her minor flaws with dismissive affection. [...] It's a very, very fun performance that casts the character in a far more fascinating light than he is often allowed. Congratulations to Vosters for playing a deeper kind of emotional ugliness that can lurk behind physical beauty."
-Russ Bickerstaff, Shepherd Express
"Coming in at honorable mention in a short, pungent scene, the two murderers hired by Macbeth, Jennifer Vosters and Morgen Kerian, captured a dark, palpably decadent humor I'd never seen before. Their shuffling and their heavy-lidded, side-long peering insinuates lifetimes of grasping fumbles. They are Macbeth's Rosencrantz and Guildenstern and deserve a Tom Stoppard treatment of their own."
-Joel Applegate, Front Row Reviewers Utah
Richard III (Voices Found Repertory)
"This Richard, played by Jennifer Vosters, is unlike most of the Richards I've seen in my life, and it has little to do with the fact that Vosters is a woman playing a man. [...] Heading the joyful experience is Vosters, [who] gives us a withered left arm, perpetually cradled in her stomach and a left foot of such blemish that she walks with both a pronounced limp and a dragging of the foot. But more than her physical interpretation of Richard is the way she plays this disingenuous villain. She mixes her climb to the top with brute force and charismatic double-dealing. The scene of her seduction of Anne, who will become Richard's wife, is rife with both sexual tension and danger. [...] Vosters delivers a king who is both duplicitous and yet troubled by his lack of a conscience. With a roll of the eyes or a sideways glance at a foe she takes advantage of the space with small moments. It's a delightful performance."
-Dave Begel, OnMilwaukee
"Jennifer Vosters is an attractive young woman who holds a slight contortion in her left limbs in the role of the sinister Richard III. There's a dizzyingly dark charisma in her malice. [...] Her handling of the role is a pleasant contrast to the traditional interpretations of the character. [...] Vosters' appearance here is a refreshing portrayal of the villain as a perfectly capable young woman of remarkably seductive beauty who openly embraces her minor flaws with dismissive affection. [...] It's a very, very fun performance that casts the character in a far more fascinating light than he is often allowed. Congratulations to Vosters for playing a deeper kind of emotional ugliness that can lurk behind physical beauty."
-Russ Bickerstaff, Shepherd Express